Dynamic Conversations

Boris Bally

Transit Chair—STOP, 2009
49 1/2 x 17 x 22 in
re-used aluminum traffic signs, champagne corks, steel hardware
HUMANUFACTURED® hand-fabricated, hand-pierced and brake formed
photo: J.W. Johnson

Boris Bally

Transit Chair —SPEED, 2009
49 1/2 x 17 x 22 in
re-used aluminum traffic signs, champagne corks, steel hardware
HUMANUFACTURED® hand-fabricated, hand-pierced and brake formed
photo: J.W. Johnson

Boris Bally

BroadWay Armchair, 2009
39.5 x 35 x 26 in
re-used traffic signs, champagne corks, steel hardware
HUMANUFACTURED®
hand-fabricated, pierced, brake-formed and finished
photo: J.W. Johnson

Garry Knox Bennett

Z Chair , 2012
rosewood, yellow satinwood
29 x 15 x 17 in
Courtesy of Gallery NAGA, Boston

Dale Broholm

Cross Roads Bench, 2010
curly maple, red oak, plywood, ebonized, gessoed
with lacquer top coat
19 x 54 x 54 in
photo: Mark Kostar Photography

John Eric Byers

Bench for Three, 2001
mahogany, milk paint
17 x 48 x 16 in
Courtesy of Gallery NAGA, Boston

Charles Crowley

Bench Series: 3, 2015
aluminum
64 x 101 x 18 in
photo: Jason Grow

Charles Crowley

Bench Series: Red Top, 2014
aluminum, wood
28 x 55 x 15 in
photo: Jason Grow

Mark Del Guidice

Sanfra Chair , 2013
american black walnut, milk paint and upholstery
37.5 x 17 x 20 in
photo: Stewart Clements

Timothy Philbrick

Desk Chair, 1999
curly maple, red calfskin
39 x 20 x 20 in
photo: Warren Johnson

Timothy Philbrick

Dining Side Chair, 2010
claro walnut,fabric
33.5 x 19 x 19 in
photo: Beau Jones

Mitch Ryerson

Matisse Chair, 2007
maple, wenge, oil glaze, fabric
34 x 19 x 21 in
photo: Dean Powell

Tommy Simpson

Raspberry Softy, 2014
carved & painted wood
60 x 14 x 25 in
photo: Karen LaFleur

Tommy Simpson

Sticks, 2010
mixed woods
25 x 60 x 14 in
photo: Karen LaFleur

Jay Stanger

Windows , 2008
dyed veneer, aluminum, plywood

41.5 x 34 x 29 in 


photo: Robin Howard

Jay Stanger

Windows , 2008
dyed veneer, aluminum, plywood

41.5 x 34 x 29 in 


photo: Robin Howard

2-D Works

Sandra Allen

Synapse-Palm Roots, 2007
9’ x 6’
pencil on paper
photo: Stewart Clements

Sandra Allen

Stalwart, 2005
12’ x 7’
charcoal on paper
photo: Stewart Clements

Gerry Bergstein

Synapse-Palm Roots, 2007
9’ x 6’
pencil on paper
photo: Stewart Clements

Gerry Bergstein

Stalwart, 2005
12’ x 7’
charcoal on paper
photo: Stewart Clements

Nicole Chesney

Afar, 2014
oil on acid-etched and mirrored glass
32 x 14 x 1 in
photo: Studio DTW
Courtesy of Gallery NAGA, Boston

Nicole Chesney

Abeo, 2014
oil on acid-etched and mirrored glass
14 x 20 x 1 in
photo: Studio DTW
Courtesy of Gallery NAGA, Boston

Emily Eveleth

Gaze, 2014
oil on mylar
12 x 10 in
Courtesy of Miller Yezerski Gallery, Boston

Emily Eveleth

Past Tense, 2014
oil on mylar
17.5 x 11 in
Courtesy of Miller Yezerski Gallery, Boston

Emily Eveleth

Tighten, 2002
alkyd and graphite on mylar
14.75 x 35 in
Courtesy of Miller Yezerski Gallery, Boston

Peter Madden

Homework series, 2005–2015
cyanotype of handmade negatives on paper
40.75 x 37.25 in

Todd McKie

Moscow Calling , 2001
white pencil on black paper
12 x 17 in
photo: Tim Lynch
Courtesy of Gallery NAGA, Boston

Todd McKie

The Chance of a Lifetime , 2001
white pencil on black paper
25 x 20.5 in
photo: Tim Lynch
Courtesy of Gallery NAGA, Boston

Scott Prior

Cow , 2005
pigment ink & intaglio print
13 x 11 in
Courtesy of Alpha Gallery, Boston

Scott Prior

Dunes at Sunrise, 2005
pigment ink & intaglio print
17 x 13 in
Courtesy of Alpha Gallery, Boston

Scott Prior

Red Pears , 2005
13 x 13.5 in
pigment ink & intaglio print
Courtesy of Alpha Gallery, Boston

Scott Prior

Sunflowers, 2005
gouache
6.25 x 6 in
Courtesy of Alpha Gallery, Boston

Harold Reddicliffe

Two Projectors and Cords, 2012
oil
12 x 18 in
photo: Clements Photography & Design
Courtesy of Hirschl & Adler Modern, NYC and Gallery NAGA, Boston

Harold Reddicliffe

Microscope in Box, 2006
oil
17 x 11 in
photo: Clements Photography & Design
Courtesy of Hirschl & Adler Modern, NYC and Gallery NAGA, Boston

Harold Reddicliffe

Microscope, 2003
oil
21 x 21 in
photo: Clements Photography & Design
Courtesy of Hirschl & Adler Modern, NYC and Gallery NAGA, Boston

Harold Reddicliffe

Cameras, Binoculars, & Carburetor, 2012
oil
5 x 7 in
photo: Clements Photography & Design
Courtesy of Hirschl & Adler Modern, NYC and Gallery NAGA, Boston

Jim Schantz

Winter Pine, Dusk, 2001
pastel
47 x 34 in
photo: John Davenport
Courtesy of Pucker Gallery, Boston

Jim Schantz

Becket, Spring Dusk, 2005
pastel
45.5 x 33.5 in
photo: John Davenport
Courtesy of Pucker Gallery, Boston

Cheryl Warrick

A Good Patch, 2008
acrylic mixed media panel
24 x 48 in

Cheryl Warrick

A Good Patch, 2008
acrylic mixed media panel
24 x 48 in